Line up of Feature Films, Docs and Music Films at 40th Nashville Film Fest

Nashville Film Folks –

LINE UP OF FEATURE FILMS, DOCS & MUSIC FILMS AT 40th NASHVILLE FILM FEST

Only 7 days left to get $350 value all-fest laminate for $225 and attend April 9 Kick-Off Bash

Film folks have until Thursday, April 9 to get the least expensive All-Festival Laminate Pass that will get you into the Kick-Off film bash in advance of the festival, into the big opening and closing night parties with many attending celebrities, over $350 worth of tickets for any films and panels of your choosing, and have complete access to the VIP tent, which is being turned into something better than it has ever been for this 40th Anniversary NaFF. Celebrities this year will include William Shatner, Hal Holbrook, Dixie Carter, Kathleen Quinlan, Barry Corbin, Michael Parks, Dominique Swain, and many others (listed below).

The April 9 Kick-Off Patron Party will feature clips of films at the upcoming fest, wine tasting by Arrington Vineyard, foodstuffs and desserts, the Vanderbilt Blair School of Music Chamber Ensemble, and most importantly, a lot of really interesting film aficionados.

The historic 40th Anniversary of the Nashville Film Festival is the biggest, most interesting and star-studded film festival in its 40 year history.This year, NaFF will be doing a very special retrospective on Sinking Creek and Mary Jane Coleman, the founder of the festival four decades ago. So, if you have been waiting for years for the time to get an All-Fest Laminate, this is the year. Here’s the link to do so –

http://www.nashvillefilmfestival.org/Membership/2009PatronParty/tabid/349/Default.aspx

or go to: or go to www.nashvillefilmfestival.org –

***HERE’S THE OVERVIEW AND LIST RE FEATURES, DOCS AND MUSIC FILMS IN COMPETITION..

World, U.S. and Southeastern U.S. Premieres Among Contenders for Major Juried Awards at 2009 Festival –

The 40th Nashville Film Festival — April 16-23 at Regal Green Hills Cinemas — announces the complete list of films in its documentary and narrative feature competitions. Documentaries will be divided into The Documentary Competition Presented by The Documentary Channel and Music Films/Music City. Both documentary competitions are co-programmed by Brian Owens, NaFF artistic director, and Kate Pearson, The Documentary Channel senior VP of programming and acquisitions.

“Who better to help program this competition than a person and an entity dedicated entirely to celebrating the craft of documentary film making,” said Owens of NaFF partnership with The Documentary Channel. “Kate and I have really programmed an exciting and diverse collection of films that will enlighten, entertain and push the possibilities of what a documentary can accomplish.”

The Documentary Competition Presented by The Documentary Channel jury is Dan Berger, Oscilloscope Labs; Ryan Harrington, IndiePix Studios; and Rachel Grady, co-director of Academy Award nominated film Jesus Camp. The Music Films/Music City jury is Kara Glennon, Programmer Indianapolis Int’l Film Festival; Mike Gramaglia, director, End of the Century: The Ramones; and Joe Pacheco, director, As Smart as They Are.

“As a former co-chairman of the Sinking Creek Film Festival, which has become the Nashville Film Festival, I’m thrilled that The Documentary Channel can expand its support of such an important institution in the documentary film world as this festival,” said Tom Neff, The Documentary Channel founder and CEO. “Our mission at DOC is to be all things documentary, and so we’re proud to broaden our level of commitment and participation in the festival to include film selection, panels, judging, awards, online and network promotion and VIP hosting. We hope these efforts help enhance the festival’s documentary division and also reflect the network’s multifaceted outreach to filmmakers.”

Adds Pearson: “Taking our sponsorship to the next level has been an organic, mutually exciting experience for both the festival and DOC. Brian Owens and Sallie Mayne have been enthusiastic colleagues and we are delighted to participate this year and hopefully in the years to come. Participating in the documentary selection process has been a fantastic experience and the lineup of documentaries this year is outstanding. The current pool of talent is superb, and it makes the selection process difficult but very exciting.”

For those unable to attend the Festival, The Documentary Channel will offer a retrospective broadcast of four documentaries from previous Nashville Film Festivals on Friday, April 17 and Saturday, April 18.

Narrative features will vie for two awards, the NaFF/Regal Cinemas Dreammaker Award, which entitles the winning film to a special industry screening next fall in a Los Angeles County Regal Cinema Award, and the Lonely Seal Award, sponsored by Lonely Seal Releasing, which offers the winning film a one-year international representation deal.

Other award opportunities include the REEL Current Award, given to a film screened at NaFF that provides extraordinary insight into a contemporary global issue; Best Music in a Feature Film, sponsored by Naxos of America; Impact of Music Award, sponsored by Gibson, for the film that best exemplifies the importance of music in everyday lives; Tennessee Independent Spirit Award, presented to the best film directed by a Tennessee resident; The Rosetta Miller Perry Award, sponsored by the Tennessee Tribune and presented to the best black filmmaker; the NPT Human Spirit Award, presented by Nashville Public Television; audience award for best documentary, sponsored by The Documentary Channel; audience award for best narrative feature, sponsored by Curb Records; and various awards for short films.

The narrative feature jury is Elvis Mitchell, film critic, Stacey Parks, FilmSpecific.com, and Claudia Weill, director, Girlfriends.

Documentary Competition Presented by The Documentary Channel Films

Ask Not
Johnny Symon, U.S.A, 73 minutes, Tennessee Premiere
Johnny Symon scheduled to attend
Presented in partnership with Middle TN Mental Health and Substance Abuse
Director Johnny Symons’ Ask Not is a rare and compelling exploration of the effects of the US military’s policy against openly gay service members. A provocative portrait of bravery amidst exclusion, the film reveals the personal stories of Americans willing to risk their lives for a country that criminalizes the act of coming out of the closet.

Big River Man
John Maringouin, U.S.A, 100 minutes, Southeastern U.S. Premiere
John Maringouin, Kevin Ragsdale, Rich Ragsdale scheduled to attend
Al Gore REEL Current Award Nominee
Michael Phelps set the world on fire this past summer with his speed and dominance at the Olympics, but there’s another swimmer who holds some might impressive records – and he drinks two bottles of wine day and swims the lengths of the world’s longest rivers. His name is Marin Strel, a Slovenian endurance swimmer who has conquered the Mississippi, the Danube, and the Yangtze – highlighting pollution in the world. Now in his fifties, he attempts his greatest feat yet – the Amazon.

Capturing Reality
Pepita Ferrari, Canada, 98 minutes, U.S. Premiere
Pepita Ferrari scheduled to attend
Director Pepita Ferrari interviews a number of prominent documentary filmmakers – Werner Herzog, Kim Longinotto, Albert Maysles, and Errol Morris to name a few. Ferrari’s goal was to find out where they get their inspiration and what their view is on their profession. The interviews are spliced with short excerpts that illustrate their arguments and beliefs.

Citizen Juling
Ing K, Thailand, 222 minutes, U.S. Premiere
The sprawling and humanistic Citizen Juling opens as the filmmakers ask celebrants of the 60th anniversary of King Bhumibol’s corination, “Why do you love the king?” Most respond with trepidation. A good Thai does not question the sacred ideological pillars of “Nation, Religion, King.” Thus begins a powerful exploration of the issues surrounding the Islamic insurgency in the south of Thailand, a nation whose democracy seems constantly at risk.

Crude
Joe Berlinger, U.S., 100 minutes – Southeastern U.S. Premiere
Joe Berlinger scheduled to attend
Al Gore REEL Current Award Nominee
Three years in the making, this cinéma-vérité feature from acclaimed filmmaker Joe Berlinger (Brother’s Keeper, Paradise Lost – screening in the Sinking Creek retrospective – and Metallica: Some Kind of Monster) is the epic story of one of the largest and most controversial legal cases on the planet. An inside look at the infamous $27 billion “Amazon Chernobyl” case, Crude is a real-life high stakes legal drama set against a backdrop of the environmental movement, global politics, celebrity activism, human rights advocacy, the media, multinational corporate power, and rapidly-disappearing indigenous cultures.

Empress Hotel
Irving Saraf and Allie Light, U.S., 95 minutes, World Premiere
Academy Award winners Irving Saraf, Allie Light, and Roberta Goodman scheduled to attend.
The Empress Hotel, a project of the San Francisco Department of Health, is home to a rarified clientele—sufferers of mental illness or addiction who have lived on the streets. Not every person can stay on meds or get clean, yet out of chaos and hopelessness, a community is formed. Empress Hotel tells the stories of ten residents, their interactions, celebrations, successes, and setbacks.

For the Love of Movies
Gerald Peary, U.S., 70 minutes, Tennessee Premiere
Gerald Peary scheduled to attend
For a hundred years, virtually the entire history of American movies, film critics have championed this medium they so unabashedly love. Their reviews illuminate the film-going experience, suggesting paths for readers to enter cinema more deeply, thoughtfully, appreciatively. For the Love of Movies is the first documentary to dramatize the rich, fascinating history of American film criticism.

Garbage Dreams
Mai Iskander, Egypt / U.S., 83 minutes, Southeastern U.S. Premiere
Mai Iskander scheduled to attend
Al Gore REEL Current Nominee
“If there weren’t any garbage collectors, Cairo wouldn’t be clean,” says a teenager named Adham at the opening of Garbage Dreams. He is one of 60,000 Zaballeen; entrepreneurial garbage collectors who collect and recycle over one-third of Cairo’s waste — more than 3,000 tons a day. But the Zaballeen find themselves at a crossroads when their city’s government hires foreign multinational disposal companies to collect Cairo’s garbage.

Garrison Keillor: The Man on the Radio in the Red Shoes
Peter Rosen, U.S., 84 minutes, Tennessee Premiere
Peter Rosen scheduled to attend
Presented in partnership with WPLN, Nashville Public Radio
Arguably America’s foremost humorist and commentator, Garrison Keillor, takes his skits and jokes, music and monologues across the country in his traveling radio show, spinning his stories into American gold. This free form, intimate look at the private man in the public spotlight goes behind the scenes of America’s most popular radio show, A Prairie Home Companion, and inside the imagination of the man who created it. .

House of Numbers
Brent Leung, Canada, U.S., UK 87 minutes, World Premiere
Brent Leung and some subjects scheduled to attend.
Nashville filmmaker Brent Leung was born in 1980, just as the HIV/AIDS epidemic became headline news. Over the past eight years, he has gained access to and insight from some of the field’s top researchers and most influential policy-makers. What his film reveals is we understand a lot less about the epidemic than we are led to believe – conventional wisdom be damned.

Invisible Girlfriend
David Redmon and Ashley Sabin, U.S., 72 minutes, Southeastern U.S. Premiere
David Redmon and Ashley Sabin scheduled to attend.
Charles – whom we met in Redmon & Sabin’s previous film Kamp Katrina – is madly in love with his girlfriend, Joan of Arc. So, he hops on his bike and leaves Monroe, LA for New Orleans, hoping to find her embodiment behind a Mardi Gras bar. Along the way he encounters a farmer, a witch, and a man who honors the dead.

Living in Emergency: Stories from Doctors without Borders
Mark N. Hopkins, Italy, 93 minutes, Southeastern U.S. Premiere
Presented in partnership with Southern Hills Medical Center
In the war-zones of Liberia and Congo, four volunteers (including Nashville resident, Dr. TC Krueger) with Doctors Without Borders struggle to provide emergency medical care under extreme conditions. With different levels of experience, each volunteer must find his own way to face the challenges, the tough choices, and the limits of their idealism.

The Other Side of the Lens
Reed Cowan, U.S. / Kenya, 101 minutes, World Premiere
Reed Cowan scheduled to attend
On the evening of April 23, 2006, Emmy Award winning TV anchor and news reporter Reed Cowan was on call for his Salt Lake City employer. He was paged to the scene of the accidental hanging death of a child. Arriving on the scene, Cowan discovered that every parent’s nightmare – the loss of a child – was his own. The reporter became the news. The Other Side of the Lens is Reed Cowan’s first film and it follows Cowan and his journey of self-examination, liberation, and activism that would assist him through his grief.

Pressure Cooker
Mark Becker and Jennifer Grausman, U.S.A, 2008, 99 minutes, Tennessee Premiere
Basketball had Hoop Dreams, spelling bees had Spellbound. Now competitive cooking has Pressure Cooker. Wilma Stephenson is the dynamic force behind the Careers Through Culinary Arts Program at Philadelphia’s Frankford High School. On the first day of class Stephenson tell her students, “Everything you’ve heard about me is true, only it’s 500 times worse.” She’s tough, but she knows that if she isn’t, her students are likely to repeat the mistakes of their parents – leaving them impoverished and trapped in the inner-city. Three of those students become the focus of Mark Becker and Jennifer Grausman’s camera. With Mrs. Stephenson’s leadership, they will try to win scholarships to some of the most prestigious cooking academies in the US – and they will develop a new recipe for the future.

Prodigal Sons
Kimberly Reed, U.S., 86 minutes, Tennessee Premiere
Kimberly Reed scheduled to attend
Returning home to a Helena, Montana for her 20-year high school reunion, debut filmmaker Kimberly Reed hopes to rebuild her relationship with her adopted brother – and to capture the experience on camera. Instead of a simple tale of estrangement and reconciliation, Prodigal Sons offers deep questions of identity – gender identity, genetic identity, and the how traumatic brain injury can completely alter a loved one.

Shakespeare and Victor Hugo’s Intimacies
Yulene Olaizola, Mexico, 83 minutes, Southeastern U.S. Premiere
At the intersection of Shakespeare and Victor Hugo Streets in Mexico City sits Rosa Elena Carbajal’s lodging house. Her granddaughter, Yulene Olaizola takes her camera to delve into a mystery that occurred in her grandmother’s residence, a mystery involveing a former tenant deeply ashamed of his homosexuality and suffering schizophrenia. During the period that he lived in the house (until his death in 1993) 13 women fell victim to a mysterious serial killer in Mexico City.

Trust Us, This is All Made Up
Alex Karpovsky, U.S., 83 minutes, Southeastern U.S. Premiere
Some foolishly have the belief that “improvising” is simply “making things up”. To a degree, that’s true. To be able to do that and have the the New York Times describe you as, “…masters of long form improv” means you’re going a little further than simply making a few off the cuff jokes. TJ Jagodowski and David Pasquesi have become living legends in their field.

An Unlikely Weapon
Susan Morgan Cooper, U.S., 85 minutes, Tennessee Premiere
Susan Morgan Cooper and Kyle Eastwood scheduled to attend
Eddie Adams photographed 13 wars, six American Presidents, and every major film star of the last 50 years. History would be changed through his lens. But the person Eddie found hardest to impress was himself. In 1968, in 1/500th of a second Eddie Adams photographed a Saigon police chief, General Nygoc Loan, shooting a Vietcong guerilla point black. Some say that photograph ended the Vietnam War. The photo brought Eddie fame and a Pulitzer, but he was haunted by the man he had vilified. Featuring narration by Kiefer Sutherland and a score by Kyle Eastwood and Michael Stevens (Letters from Iwo Jima).

Upstream Battle
Ben Kempas, Germany, 98 minutes, Southeastern U.S. Premiere
Director Ben Kempas scheduled to attend
Al Gore REEL Current Award nominee
A coalition of Native Americans battle to force the removal of dams owned by billionaire Warren Buffett that have devastated the salmon population on California’s Klamath River.

William Shatner’s Gonzo Ballet
Patrick Buckley and Kevin Layne, U.S., 51 minutes, World Premiere
William Shatner, Ben Folds, Brad Paisley and Margo Sappington scheduled to attend
Presented in partnership with the Nashville Ballet
High art meets pop culture as the music of William Shatner (‘Star Trek,’ ‘Boston Legal’) and Ben Folds (Ben Folds Five), from their critically-acclaimed album, ‘Has Been,’ is transformed into ‘Common People,’ a ballet from award winning choreographer Margo Sappington (Oh! Caluctta!).

Naff/Regal Cinemas Dreammaker Award and Lonely Seal Award Competition Films

Afterschool
Antonio Campos, USA, 2008, 106 minutes, Tennessee Premiere
(Ezra Miller, Addison Timlin, Rosemarie DeWitt)
Antonio Campos scheduled to attend.
At the center of 24-year-old director Antonio Campos’s debut feature is the 21st Century media technology. With the advent of You Tube and cell-phone video cameras, everything from giggling babies to impromptu acts of violence has become internet entertainment. In such a world, can young people engage in reality without the distance the screen creates? When Robert, a sophomore at an east coast prep school, is assigned to capture stock footage for the video yearbook, he inadvertently films the gruesome deaths of two of his classmates. Robert’s world is altered forever.

Baby Formula, The
Alison Reid, Canada, 2008, 82 minutes, U.S. Premiere
Presented in partnership with The A. Franklin Brooks Philanthropic Fund, William N Rollins Fund for the Arts and the Community Foundation of Middle Tennesee
Two adventurous women in love are desperate to have their own biological child. They take a chance on an experimental scientific process and make sperm from their own stem cells. Pregnant with humor and unexpected twists, their journey ultimately confirms that all life is a gift and all families are crazy.

Before Tomorrow
Marie-Hélène Cousineau and Madeline Piujuq Ivalu, Canada, 2008, 93 minutes, Tennessee Premiere
(Madeline Piujuq Ivalu, Paul-Dylan Ivalu, Peter-Henry Arnatsiaq, Mary Qulitalik, Tumasie Sivuarapik)
Reminiscent of the fantastic Atanarjuat: The Fast Runner, Marie-Helene Cousineau and Madeline Piujuq Ivalu’s debut feature represents another great stride forward in Inuit filmmaking. Ningiuq and Kutuujuk are elders of a 19th-century Inuit family. In the summer season, they join with neighboring families to share stories, celebrate, dine, and inter-marry. This year, however, the stories are about the impending advance of foreigners.

Buick Riviera
Goran Rusinovic, Croatia, 2008, 86 minutes, U.S. Premiere
Winner of the Heart of Sarajevo for Best Film and Best Actor prizes at the Sarajevo Film Festival, Buick Rivera is the story of two men from the ex-Yugoslavian nation of Bosnia – one a muslim and the other an Orthodox Christian. Both have emigrated to America and on one fateful night they meet and change each other’s lives forever in the middle of the snow-covered plains.

Children of Invention
Tze Chun, U.S.A, 2009, 86 minutes, Tennessee Premiere
(Cindy Cheung, Michael Chen, Crystal Chiu)
Tze Chun scheduled to attend
Presented in partnership with the Chinese Arts Alliance
Single mother Elaine Cheng struggles to support her two children – Raymond and Tina – by juggling various jobs and selling various products freelance. When one too many of these products turns out to be nothing more than a pyramid scheme, the family finds itself homeless, and Elaine – in the US illegally – finds herself at risk of deportation. Meanwhile, Raymond dreams of various inventions hoping that, one day, one of them will make him rich enough to care for the whole family.

I Was Here
René Vilbre, Estonia, 2008, 95 minutes, U.S. Premiere
Rasmus Kaljujärv, Margus Prangel, Hele Kõre, Marilyn Jurman, Tambet Tuisk, Lembit Ulfsak)
Seventeen-year-old Rass is growing up in an Estonian suburb. In the absence of a solid home life his family becomes a group of youngsters who are verging on being thieves. Drugs are an inseparable part of their lives, and when Rass agrees to distribute them to make a living for himself, he gets tangled up in the narcotics trade.

Kisses
Lance Daly, Ireland, 2008, 78 minutes, Southeastern U.S. Premiere
(Kelly O’Neill, Shane Curry)
It’s Christmas Eve on the outskirts of Dublin. Youngsters Dylan and Kylie are neighbors, each struggling with the pressures of a dysfunctional family. So when yet another row with Dylan’s father erupts, the young boy decides to run away, with Kylie right behind him.

Make-out with Violence
The Deagol Brothers, U.S.A., 2008, 108 minutes
(Eric Lehning, Cody DeVos, Leah High, Brett Miller, Tia Shearer, Jordan Lehning, Josh Duensing, Shellie Marie Shartzer)
Entire cast and crew scheduled to attend.
In this genre-bending tale, a boy trys to fulfill his unrequited love for a girl who has risen from the dead. When a drive through the countryside surrounding their suburban community leads twin brothers Patrick and Carol Darling to the discovery of missing person Wendy’s mysteriously animated corpse, the boys secretly transport the un-dead Wendy to an empty house in hopes of somehow bringing her back to life.

Mothers & Daughters
Carl Bessai, Canada, 2008, 85 minutes, Southeastern US Premiere
(Tantoo Cardinal, Babs Chula, Ben Cotton, Kathryn Kirkpatrick, Tinsel Korey, Sarah Lin, Gabrielle Rose)
Micki is a high-strung novelist who overwhelms her actress daughter. Brenda is a dedicated housewife whose husband has left her and she seeks the support of her daughter Kate. Celine owns her own business and is hired by Cynthia, a young professional remodeling her home and searching for her own identity. Each relationship has its challenges. The delight comes in seeing how they are met.

The Narrows
François Velle, U.S.A., 2008, 106 minutes, Tennessee Premiere
(Kevin Zegers, Sophia Bush, Vincent D’Onofrio)
Ami Armstrong, Kevin Zegers scheduled to attend
Mike Manadoro (Transamerica’s Kevin Zegers) has a choice to make – between the world he knows and the world that is promised to him. When he submits his photos to an arts program in Manhattan, he is offered a partial scholarship, but his father (Vincent D’Onofrio) is too proud to borrow the rest of the money necessary to pay Mike’s tuition. Thus, Mike takes a job delivering packages for the local “boss.”

Noble Things
Dan McMellen, U.S.A., 2009, 98 minutes, Southeastern U.S. Premiere
(Brett Moses, Lee Ann Womack, Michael Parks, Ryan Hurst, Dominique Swain, James Parks, Ron Canada)
Brett Moses, Lee Ann Womack, Michael Parks, Dominique Swain and Dan McMellen scheduled to attend
A struggling country music artist finds himself adrift in Memphis, Tennessee. Forced to return home to the piney woods of Southeast Texas, Jimmy Wayne Collins will face his imprisoned brother, his dying father and the demons he left behind.

Ordinary Boys
Daniel Hernandez, Morocco / Spain, 2008, 87 minutes, Southeastern U.S. Premiere
(Rabia Bouchfira, El-Khader Aoulasse, Youseff Belefki, Mohammed Saadoun)
Shot in Jamaa Mezwak of Tétouan, northern Morocco, where five of the terrorists responsible for Spain’s March 11, 2004 bombings were born and bred, the film looks behind the myths that now taint the area to examine the particular situation of three young people all having to make key decisions about their lives.

Pachamama
Toshifumi Matsushita, Bolivia / Japan / US, 2008, 104 minutes, U.S. Premiere
(Christian Huaygua, Luis Mamani, Faniy Mosques, Francisco Gutíerrez, Hilaria Cabrera)
Presented in partnership with the Nashville Hispanic Chamber of Commerce
Toshifumi Matsushita – a Japanese director currently based out of New York City – beautifully brings to life the story of Kunturi – a 13-year-old Quechua boy living on the salt flats of Bolivia. After his grandmother’s death and his best friend move away, Kunturi joins his father on his first salt caravan, traveling through the beautiful Andean peaks and lush valleys below. On this journey, Kunturi will begin to understand how the adult world works – and how modernity is slowly encroaching on the rhythms of lives little changed over centuries.

Poundcake
Rafael Monserrate, U.S.A., 2008, 101 minutes, Southeastern U.S. Premiere
(Kathleen Quinlan, Jay O. Sanders, Troy Hall, Kevin Logie, Deshja Driggs, Rob Bogue)
Rafael Monserrate, Jay O. Sanders, Troy Hall, Kevin Logie and Deshja Driggs scheduled to attend
Thanksgiving 1987. Buffalo, NY. Cliff and Carol Morgan take their three grown children to The Golden Buddha Chinese Restaurant for an announcement. After thirty years of marriage, they are getting a divorce. Now they must spend what may be their last Thanksgiving together as a family, in as civilized a manner as possible.

Prince of Broadway
Sean Baker, U.SA, 2008, 100 minutes, Tennessee Premiere
(Prince Adu, Karren Karagulian, Aiden Noesi, Keyali Mayaga, Kat Sanchez, Victoria Tate)
Presented in partnership with the Tennessee Tribune.
Lucky, an illegal immigrant from Ghana, makes ends meet by soliciting shoppers on the street with knock-off brand merchandise. Levon, a Armenian-Lebanese immigrant, operates an illegal storefront with a concealed back room where counterfeit goods are showcased to interested shoppers. Lucky’s world is suddenly turned upside down when a child is thrust into his life by a woman who insists the toddler is his son. Levon struggles to save a marriage that is falling apart.

Sita Sings the Blues
Nina Paley, U.S.A., 2008, 82 Minutes – Tennessee Premiere
Aseem Chhabra, Manish Acharya, Bhavana Nagulapally, Nina Paley, Reena Shah
Sita is a goddess separated from her beloved Lord and husband Rama. Nina is an animator whose husband moves to India, then dumps her by email. Three hilarious shadow puppets narrate both ancient tragedy and modern comedy in this beautifully animated interpretation of the Indian epic Ramayana.

Sorry, Thanks
Dia Sokol, U.S.A., 2009, 92 minutes, Southeastern U.S. Premiere
(Wiley Wiggins, Kenya Miles, Andrew Bujalski, Donovan Baddley, Ia Hernandez)
Dia Sokol, Lauren Veloski scheduled to attend
Kira is just out of a lengthy relationship and is feeling adrift. She meets Max (Dazed and Confused’s Wiley Wiggins) one night and the two of them hook up. A few nights later, she runs into Max – and his long-time girlfriend – at a bar. Kira continues to drift, both professionally and romantically while Max develops two obsessions – one with Kira, and one with the nagging thought they he may very well be an asshole.

That Evening Sun
Scott Teems, U.S.A., 2009, 105 minutes, Southeastern U.S. Premiere
(Hal Holbrook, Ray McKinnon, Walton Goggins, Mia Wasikowska, Carrie Preston, Barry Corbin, Dixie Carter)
Presented in partnership with Maristone Senior Living
Scott Teems, Hal Holbrook, Dixie Carter, Walton Goggins, Barry Corbin, Ray McKinnon and Carrie Preston scheduled to attend
Abner Abner Meechum (Academy Award-nominee Hal Holbrook) is an aging Tennessee farmer. He’s pretty much had it with the nursing home his lawyer son (Walton Goggins) has tossed him away to and flees to his home – only to find out that his home has leased it to oldest enemy (Ray McKinnon).

True Adolescents
Craig Johnson, U.S.A., 2009, 88 minutes, Southeastern U.S. Premiere
(Mark Duplass, Bret Loehr, Carr Thompson, Melissa Leo)
Craig Johnson, Gill Holland and Stu Pollard scheduled to attend
Indie sensation Mark Duplass (Baghead, Humpday) stars as Sam Bryant, an aging Seattle rocker with no “real job,” no record deal, and – after his girlfriend dumps him – no place to stay except with his suburban aunt Sharon (Melissa Leo, Academy Award-nominee, Frozen River). When Sam chaperones two his teen cousin and his cousin’s best friend on a camping trip, it’s all giggles until one of the boys ends up separated and lost in the woods.

Vacation
Hajime Kadoi, Japan, 2008, 115 minutes, Southeastern U.S. Premiere
(Kaoru Kobayashi, Hidetoshi Nishijima, Nene Otsuka, Ren Osugi)
Hirai is a middle-aged prison guard. Despite being surrounded by colleagues, his work days are lonely – he attends the strict schedule of Kaneda – death row’s model inmate. When his prisoner’s execution orders are signed, Hirai has an unusual opportunity for vacation – a chance to travel with his fiancé and to improve the relationship with his soon-to-be stepson. This opportunity comes with a caveat, however: he must agree to be by Kaneda’s side at the moment of death.

Weathergirl
Blayne Weaver, U.S.A., 2009, 92 minutes, Southeastern Premiere
Tricia O’Kelley (The New Adventures of Old Christine) produces and stars as Sylvia Miller, a Seattle morning show weather girl who, after finding out that her anchor/boyfriend has been cheating on her with his co-host, has an expletive-laden meltdown on live television (her bosses can likely look for some FCC fines). In the wake of that episode, she has a hard time finding a job on Seattle television and moves in with her little brother and takes a job as a waitress.

Music Films/Music City Films

American Harmony
Aengus James, U.S.A., 2009, 86 minutes, Tennessee Premiere
Barbershop Quartet to perform live
Presented in partnership with the Barbershop Harmony Society
American Harmony journeys deep into the obsessive, zany, heartfelt world of competitive barbershop singing, where passion is equaled only by talent, and the reward is not fame or fortune, but simply victory.

America’s Lost Band: The Remains
Michael Stich, U.S.A., 2008, 65 minutes, Tennessee Premiere
The Remains scheduled to attend
The Remains appeared on Ed Sullivan, opened for the Beatles, and then broke up just on the brink of fame. America’s Lost Band is a documentary of The Remains’ return to Los Angeles for the first time in 40 years – since opening for the Beatles – a film that follows a group of 60-year-old musicians back together pursuing their passion.

Any Day Now
Jeff Wyatt Wilson, U.S.A., 2009, 92 minutes, World Premiere
Ten out of TN musicians scheduled to attend
In the summer of 2008, during harsh economic times, ten young singer/songwriters from Tennessee (Ten out of Tenn or TOT) set out on a journey to reinvent themselves on Willie Nelson’s old 1984 tour bus performing a rebirth of music as a community of friends supporting each other during a competitive, intimidating era.

Ashes of American Flags: The Wilco Tour Film
Brendan Canty and Christoph Green, U.S.A., 2009, 88 minutes, Tennessee Premiere
The great band Wilco have 8 HD cameras and 42 channels of Pro Tools follow them around the south while they play small historic venues to rabid crowds, while allowing us to view the south through these veteran travelers eyes.

Gogol Bordello: Non-Stop
Margarita Jimeno, U.S.A., 2008, 90 minutes, Tennessee Premeire
More than just a concert film, Gogol Bordello Non-Stop explores the roots of the band (indeed, they come from five different nations) and how global identity and politics can shape music.

The Heart is a Drum Machine
Christopher Pomerenke, U.S.A., 2009, 90 minutes, Southeastern U.S. Premiere
Celebrities as diverse as the Flaming Lips, the Dandy Warhols, Guns N’ Roses, George Clinton, Elijah Wood, Juliette Lewis, and Tool offer their answers to the seemingly simple but ultimately complex question: What is music? When you unleash more than 100 people to answer the question, you begin to capture the diversity that is music – and humanity.

Johnny Cash at Folsom Prison
Bestor Cram, U.S.A., 2008, 87 minutes, Southeastern Theatrical Premiere
(Note: not in competition)
Bestor Cram and John Carter Cash scheduled to attend
On 13 January 1968, Johnny Cash recorded his legendary live album at Folsom State Prison in California. 40 years later, the album hasn’t lost a bit of its power. His children, former colleagues, and even some ex-prisoners and guards look back. Archive footage of life in the prison back then is interspersed with footage of how it is now, as well as still photography of the performance.

RiP: A Remix Manifesto
Brett Gaylor, Canada, 2008, 85 minutes, Tennessee Premiere
Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. The film’s central protagonist is Girl Talk, a mash-up musician topping the charts with his sample-based songs. But is Girl Talk a paragon of people power or the Pied Piper of piracy?

Rock Prophecies
John Chester, U.S.A, 2009, 75 Minutes, Southeastern Premiere
Moments before his death, Stevie Ray Vaughn talked to Robert M. Knight, legendary rock photographer, one last time. “If anything ever happens to me,” he said, “you’ll know me when you hear me.” In the wake of tragedy, Knight would remember those haunting words, as they fueled his unyielding passion to find the next great guitarist.

Trimpin: The Sound of Invention
Peter Esmonde, U.S.A., 2009, 79 minutes, Southeastern U.S. Premiere
The music of Trimpin has to be seen to be believed – and that’s not a syntactical error because Trimpin doesn’t just make music. He composes the music, plays the music, and creates the instruments upon which the music is played. Starting out in his workshop – a cross between Frankenstein’s lab and Santa’s Workshop – we are introduced to this (mad?) genius as he turns wooden clogs, toy pianos, and discarded guitars into brand new works of musical art.

Trying to Get Good: The Jazz Odyssey of Jack Sheldon
Penny Peyser and Doug McIntyre, U.S.A., 2008, 90 minutes, Tennessee Premiere
You may remember Jack Sheldon as Merv Griffin’s trumpet-wielding sidekick, or the indelible voice of School House Rock (“I’m just a bill. Yes I’m only a bill”), but musicians know him as a jazz giant. Featuring on-camera interviews with Clint Eastwood, Billy Crystal, Merv Griffin, Chris Botti, and Johnny Mandel among others, along with historic footage with Benny Goodman, Stan Kenton and other legendsm Penny Peyser and Doug McIntyre’s award-winning film examines the eternally dissatisfied soul of a musical perfectionist and his quest to just ‘figure things out’ – both musically and personally.

Youssou Ndour: I Bring What I Love
Elizabeth Chai Vasarhelyi, Senegal / USA, 2008, 102 minutes, Southeastern US Premiere
Arguably the most successful African pop artist in history, Youssou Ndour’s distinctive voice became known internationally through a string of popular tracks, including collaborations with Peter Gabriel and Neneh Cherry. Not resting on fame, Ndour used his popularity to shed light on issues important to him. The film follows him as he releases Egypt – a call to his fellow Muslims for peace in a post-9/11 world.

TICKETS and TWITTER
Individual tickets for the 2009 Nashville Film Festival will go on sale to general public in April 7 online at NashvilleFilmFestival.org. All-Festival Laminates can be purchased now via a Patron Level Membership. NaFF is also Twittering updates @nashfilmfest (hash tag #NaFF09).

MEDIA CREDENTIALS
Members of the media interested in attending the Festival and applying for media credentials should fill out the media credentials request form available in the press room at NashvilleFilmFestival.org.

About The Documentary Channel®:

The Documentary Channel (DOC) is the USA’s first 24-hour television network exclusively devoted to documentary films and the independent documentary filmmaker, providing viewers with round-the-clock opportunities to see fascinating, eclectic and award-winning documentary films of all lengths and genres. Headquartered in Nashville, Tenn., with offices in New York and Los Angeles, DOC was founded by Oscar®-nominated and Emmy®-winning documentary filmmaker Tom Neff (CEO) in January 2006. DOC now reaches more than 21 million homes nationwide via DISH Network (Channel 197) and several broadcast stations in major television markets, including NYC TV (Channel 25) throughout the greater New York metropolitan area. DOC also provides content to online distribution outlets through www.youtube.com/documentarychannel and www.sling.com/network/189/The-Documentary-Channel. For more information on DOC, visit www.documentarychannel.com.

About Nashville Film Festival
The longest-running film festival in the South, NaFF also ranks among the most prestigious, continually garnering accolades and notice from a wide range of entertainment and trade publications, including the Associated Press, MovieMaker Magazine, Film Festival Today, IndieWire, Variety, Billboard, New York and Script Magazine. Between 2003 and 2007, NaFF’s attendance numbers doubled, capped off with a staggering 26% increase in festival goers between 2006 and 2007. In 2008, more than 22,000 film lovers, entertainment professionals and industry insiders from all over the world made the trek to NaFF, enjoying 240 films from 44 countries, incisive industry panels, music showcases and spirited party mixers. Among the diverse group of celebrities who have attended NaFF in the past either as film presenters, award recipients or film fans are William H. Macy, Vincent D’Onofrio, Patricia Neal, Rob Thomas, Lawrence Bender, Ray McKinnon, Walton Goggins, Craig Brewer, Harmony Korine, Al Gore, Nicole Kidman, Kiefer Sutherland, Kimberly Williams-Paisley, Peter Falk, Paul Reiser, Patrick Swayze, Rick Schroder, John Waters, Matthew McConaughey, Robert Redford, Harry Belafonte, Oprah Winfrey, Michael Moore, and D.A. Pennebaker.

Nashville Film Festival is a non-profit 501(c)(3) corporation and receives funding from The Academy of Motion Picture Arts & Sciences, The H. Franklin Brooks Philanthropic Fund, William N. Rollins Fund for the Arts of The Community Foundation of Middle Tennessee, The Frist Foundation, The Memorial Foundation, Nashville Metro Arts Commission, National Endowment for the Arts, Ragsdale Family Foundation, Target Stores, Tennessee Arts Commission, and its generous. patrons and sponsors.

*** Community is defined by those who care enough to actually show up. ***